: In a major turning point, Cal returns to his old haunts, eventually confronting his family in a drunken, raw scene where he officially comes out and leaves them.
Critics noted that while the episode used "expressive lighting and contemplative fourth-wall breaks" to reach for profundity, it primarily served as a setup for the major conflicts of the season's latter half. It explores the "act of letting go" as characters abandon moral constraints for their desires. You Who Cannot See, Think of Those Who CanEupho...
: Rue and Jules are featured in a series of recreations of iconic artistic and cinematic couples. These include: Sandro Botticelli’s The Birth of Venus . Frida Kahlo’s Self-Portrait as a Tehuana . The pottery wheel scene from the 1990 film Ghost . : In a major turning point, Cal returns