In this specific "MAP Fund" context, the work typically investigates how a persona like Cherdonna—who exists in a state of perpetual absurdity—navigates the weight of real-world human connection and existential dread. Our Critics' Performance Picks For Fall - The Stranger
Using a "childlike clownsplosion" aesthetic to dissect and push the boundaries of gender performance. Kissing Like Babies - MAP Fund.MP4
The piece often features a mix of neon visuals, eccentric costumes (like oversized wigs or layered hosiery), and movements that fluctuate between erratic comedy and deep emotional exposure. In this specific "MAP Fund" context, the work
The performance is a blend of . As Cherdonna, Kuehner explores themes of: The performance is a blend of
The trilogy draws inspiration from 1960s feminist performance art, where the performer's body and attire serve as the primary scenery.
is a performance art project by Jody Kuehner , better known by her drag persona Cherdonna Shinatra . Funded in part by the MAP Fund , this work is the final installment of a trilogy titled One Great, Bright, Brittle Alltogetherness . Overview of the Piece