: In Chantal Akerman’s landmark film Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles , the protagonist’s name anchors a meticulous study of domesticity and the "female body at rest and in motion" [19, 21].
: In her memoir Farewell to Manzanar , she explores her identity as an American citizen during Japanese internment, struggling with a "Japanese face" in a country that viewed her as an enemy [8, 10]. jeanne
Beyond historical rulers and warriors, the name is synonymous with the exploration of internal identity in modern literature and film: : In Chantal Akerman’s landmark film Jeanne Dielman,
A specific (e.g., gender identity, religious conviction, or political leadership). 23 quai du Commerce