: For a modern viewer, the film is a fascinating time capsule. It captures the specific moment in the 1960s when Scandinavian cinema was pushing the boundaries of what could be shown on screen. However, it lacks the transgressive power of the original, often settling for "cheeky" humor rather than genuine social commentary.
The story follows Peter (Jørgen Ryg), a mild-mannered, somewhat bumbling office clerk who is unexpectedly thrust into a series of romantic and sexual encounters. Unlike the more dramatic and psychological tone of the first film, I, a Lover leans heavily into the "sex-farce" genre that was burgeoning in Scandinavian cinema during the mid-60s. Peter’s journey is less about a dark sexual awakening and more about a comedic exploration of a "common man" navigating a world of liberated women. Review: A Product of Its Time Jag - en alskare(1966)
: The film is a curious mix of high-concept eroticism and slapstick humor. While the first film in the series was seen as a groundbreaking (if controversial) look at female desire, this sequel is significantly lighter and more episodic. The direction is functional, prioritizing the chemistry between the lead and his various suitors over stylistic flair. : For a modern viewer, the film is
: While it didn't achieve the same level of international notoriety or critical discussion as I, a Woman , it remains a notable entry in the "Sex Wave" of the 60s. It is best enjoyed by those interested in the history of adult-oriented European cinema or those looking for a lighthearted, retro-erotic comedy. The story follows Peter (Jørgen Ryg), a mild-mannered,