The humor derives from Hijikata’s complete lack of interest in the Shonen tropes unfolding around him. While the Hamekians treat Brieza as a world-ending threat, Hijikata only views him as an obstacle to his next cigarette. According to fan discussions on Reddit , the parody is so thorough that the original broadcast even featured actual Dragon Ball music, a detail often replaced in modern streaming versions like Crunchyroll to avoid licensing issues. Satire and Self-Reference
The episode begins with a grounded, relatable conflict: a smoking ban. When Matsudaira Katakuriko implements a strict prohibition on cigarettes across Edo, Hijikata’s life becomes a desperate search for a single puff. This "man on the edge" setup is classic Gintama , taking a minor character quirk and inflating it into a existential crisis. The Gintama Wiki notes that this ban forces Hijikata to travel beyond Earth to find a planet where he can smoke in peace, leading him to the planet Hamek. The Great Parody: Planet Hamek and Brieza Gintama Episode 119
: Characters like the elder and a young boy named Derude (parodying Dende) guide Hijikata through his "quest." The humor derives from Hijikata’s complete lack of
: Brieza (a play on Frieza), a tyrant who has destroyed the planet's resources. Satire and Self-Reference The episode begins with a
Once Hijikata departs for space, the episode sheds any semblance of its original setting and becomes a beat-for-beat parody of the Namek Saga from Dragon Ball Z . Every element is meticulously skewered:
Gintama Episode 119, titled "Within Each Box of Cigarettes, Are One or Two Cigarettes That Smell Like Horse Dung," stands as a masterclass in the series' signature blend of mundane frustration and high-stakes absurdity. Ostensibly a story about the Shinsengumi's chain-smoking vice-commander, Hijikata Toshirou, the episode evolves into a relentless parody of Dragon Ball Z that pushes the boundaries of copyright and logic alike. The Mundane Catalyst: A Smoke-Free Edo
The Absurd Odyssey: Gintama Episode 119 and the Limits of Parody