Vittorio De Sica’s 1948 masterpiece, Bicycle Thieves , is considered an epitome of Italian Neorealism, utilizing non-professional actors and on-location shooting to depict post-war Roman society. The film centers on a desperate search for a stolen bicycle, transforming a simple plot into a poignant commentary on survival, morality, and the breakdown of social trust. Read the full analysis at Jays Classic Movie Blog .
Vittorio De Sica’s 1948 masterpiece, Bicycle Thieves , is considered an epitome of Italian Neorealism, utilizing non-professional actors and on-location shooting to depict post-war Roman society. The film centers on a desperate search for a stolen bicycle, transforming a simple plot into a poignant commentary on survival, morality, and the breakdown of social trust. Read the full analysis at Jays Classic Movie Blog .
| No. of Spindles | No. of Sections | MACHINE DIMENSIONS | Motor | Nos | ||
|---|---|---|---|---|---|---|
| LENGTH | WIDTH | HEIGHT | ||||
| 360 | 10 | 48 | 1'10" | 6 | 2 | 2 |
| 396 | 11 | 52 | 1'10" | 6 | 5 | 2 |
| 432 | 12 | 52 | 1'10" | 6 | 5 | 2 |
| 468 | 13 | 61 | 1'10" | 6 | 5 | 2 |
| 504 | 14 | 65 | 1'10" | 6 | 7.5 | 2 |
| 540 | 15 | 70 | 1'10" | 6 | 7.5 | 2 |
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